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Shades of pre-Colombian pottery
Click para ampliar In the powerful sunlight that floods into his personal workshop, Pablo, with a sander in hands is finishing up the polishing stage of one of his works, while five of his dogs, lulled by the placid working environment of the studio, are stretched out asleep on the floor. Watching this scene, it is easy to understand why 18 years ago Pablo and his wife Marilú decided to leave the noisy city of Cuzco and settle in the peaceful Urubamba Valley countryside.

Pablo and Marilú live in the town of Urubamba, in the Sacred Valley of the Incas, where they are dedicated to sculpting the red clay found in the valley.

Their house-cum-workshop on Berriozaval Street has become a center of learning for the workers who make up the workshop, mostly locals who are part of the intensely creative dynamics directed by the couple.

"At times we don't speak our in our name, but rather on the behalf of the workshop. The people who work here have a space to create," Marilú says. "They have developed different working levels: some of them paint, others decorate, some put together the pieces, others prepare the clay - each of them brings his skills into play. They form a single body".
In addition, the home of the Seminarios is more than just a pottery factory. Today, it is also a carpentry and a jeweler's workshop, a place for research and creativity.

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Pablo Seminario concentrates on making large-format works of art, "great plates", as he calls them, at his personal workshop, where he has his own space for creating. The images that emerge here are the result of the patient work of following the tradition of pre-Colombian pottery, an ambitious task which got underway 20 years ago and which he continues to develop together with his wife Marilú.

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